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Real Jesus
All praise to thee, eternal lord - Puer Nobis Nascitur Trier manuscript
Real Jesus
0:22 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 0 2 100%
Treble 11 16 0 2 100%
Bass 14 16 1 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 0 2 100%
Treble 11 16 0 2 100%
Bass 14 16 1 2 100%
 
Across the eastern hilltops - J. Remington Fairlamb
Real Jesus
0:30 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 2 5 100%
Treble 18 38 5 5 100%
Bass 22 25 7 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 2 5 100%
Treble 18 38 5 5 100%
Bass 22 25 7 3 100%
 
All praise to thee, my god, this night - Asa B. Everett
Real Jesus
0:17 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 4 0 0 4 100%
Treble 9 9 0 4 100%
Bass 5 0 0 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 4 0 0 4 100%
Treble 9 9 0 4 100%
Bass 5 0 0 4 100%
 
The earth belongs to the lord (hopson) - Hal H. Hopson
Real Jesus
0:31 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 1 6 100%
Treble 14 12 3 6 96%
Bass 14 10 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 1 6 100%
Treble 14 12 3 6 96%
Bass 14 10 2 4 100%
 
An evening prayer - C. Maude Battersby
Real Jesus
0:23 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 0 0 5 100%
Treble 13 17 2 5 100%
Bass 14 5 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 0 0 5 100%
Treble 13 17 2 5 100%
Bass 14 5 2 6 100%